"The Iberian Icon of the Most-Holy Virgin, which is especially honored above all of the Icons of Mt. Athos, first appeared about the middle of the 9th Century. The Holy Orthodox Church at that time was profoundly agitated by fresh waves of iconoclasm under Emperor Theophilus; and to protect the Holy Icons from being burnt and desecrated, pious people tried to hide or set them afloat on swift rivers or seas, entrusting their destiny to the will of God. Such was the case of the Iberian Icon of the Mother of God. According to Church Tradition, to save the Icon from the iconoclasts, a certain pious widow who lived not far from the town of Nicea, floated the icon on the waters of the sea, committing it to the case of the Theotokos. But as the widow and her son, who helped her to set the Icon afloat, watched, the Holy Image did not disappear into the water, but floated westward in an upright position. This moved the widow's son to dedicate himself to God and secretly he set out for Thessalonica and from there to Mt. Athos, where he settled after taking monastic vows at the Iberian Monastery (Iveron). It was he who told the Monks there about the Icon and thus preserved its sacred memory.
Mother of God for victory for the Russian armies over the invader, Napoleon. In time, numerous copies were made of the Holy Iberian Icon of the Most-Holy Theotokos.
After eight hours of climbing uphill on rough terrain, they were very tired and decided to stop at a skete which they could see on the the Mountainside below. This skete, dedicated to the Nativity of Christ, is very poor and its 14 monks keep a strict monastic rule. The abbot, Fr. Klimentos, greeted them warmly and offered traditional Athonite hospitality. Then he took them to see the skete's icon-painting studio.
As soon as he entered the studio, Jose felt an immediate and indescribable attraction to a copy of the Iveron Icon of the Mother of God which hung on one of the walls. As he later explained, his heart felt as though it had 'leaped or turned over. " He asked whether he could buy this Icon, but was told repeatedly that it was one of the first icons which had been painted at this skete ( by one Fr. Chrysostomos in 1981) and was not for sale at any price.
That night at a divine service in the church of the skete, during the singing of the angelic hymn to the Theotokos "It is Meet" (one of the chief prayers of the Orthodox Church to the Mother of God), Jose fell to his knees and begged the Mother of God to make it possible for him to take the Icon back with him into the world, where "we have need of You." Immediately he felt an assurance that somehow his prayer would be answered. The next morning, as Jose and his friend were about to depart, the abbot appeared holding the Icon and said to Jose that it pleased the Mother of God for Her Icon to go with him to North America.
Jose and his companion went down the mountain and took the the boat towards Daphne, a port on the western shore of the peninsula. On the way, Jose heard a strong inner voice which bade him: "Go to the Iveron monastery and touch your Icon to the original wonder-working Iveron Icon." This they did.
Upon arrival at the Iveron monastery they waited three hours before a monk came to open the church which houses the original "Portaitissa." Jose asked that the protective icon case be opened so that his Icon could be placed upon the original Portaitissa in order to be directly blessed by the Mother of God. The monk was suprised, but agreed to Jose's request when it was explained to him that Jose and his companion wished to take the blessing of the Mother of God to the West where Her intercession is much needed.
Returning to his home in Montreal, Canada, Jose placed the Iveron Mother of God in his icon corner, where he also kept relics of the saints from the Kiev Caves monastery and of the Grand Duchess Elizabeth (one of the New Martyrs of Russia).
Jose began to read a daily Akathist (hymns of praise) before his newly-acquired Icon. At about 4 a.m. on Nov. 24, 1982 (three weeks after his return from Mt. Athos), Jose woke up to the smell of a very strong fragrance, as though someone had spilled a bottle of exquisite perfume. He thought at first that the fragrance emanated from the relics but later, when he stood before the Icon to say his morning prayers, he saw that the hands of the Mother of God were streaked with oil. Jose assumed that a friend who was sharing the house had spilled some oil onto the Icon while adjusting the flame of the vigil lamp hanging before it, but the friend denied touching the lamp. When Jose wiped the Icon, he discovered that it was the source of the wonderful fragrance which had by now filled the whole house.
Upon the advice of a local Orthodox clergyman, the Icon was taken to church and placed on the altar. During the entire liturgy, myrrh flowed from the hands of the Christ Child. Since that time, with the exception of several days during Holy Week, when the Icon is absolutely dry, the myrrh has continued to flow almost uninterruptedly. (Holy Myrrh is a sweet, fragrant oil which was used in the Old Testament for the anointing of kings. In contemporary Orthodox church practice, a newly born Christian is anointed with Holy Myrrh during which the words "The seal of the gift of the Holy Spirit" are said by the priest.)
In the years since, Jose has traveled to many cities and parishes where the Icon has been venerated to the great joy and consolation of the faithful.
Wherever the Icon goes, there are always many questions. Some people initially have doubts. A scientist in Miami was astounded to see that the back of the Icon remained perfectly dry. He later surreptitiously chipped off a small piece of the board on which the Icon is painted for scientific analysis: it was found to be ordinary pine wood, nothing more.
At some times the myrrh flows in greater abundance than at others. During the consecration of a bishop in Montreal there was such an outpouring of the myrrh, that it streamed down from the analogion (lectern on which icons are kept in Orthodox churches) onto the floor. On another occasion, in Florida, the myrrh was seen to rise forth from the hands of the Mother of God and the Christ Child as though it were being pressed from within. Nobody has any power to regulate the flow of the myrrh, it moves to the will of God and His Most Pure Mother."
ΑΠΟΛΥΤΙΚΙΟ ΠΑΝΑΓΙΑΣ ΠΟΡΤΑΪΤΙΣΣΑΣ - ΗΧΟΣ Α΄(ΤΗΣ ΕΡΗΜΟΥ ΠΟΛΙΤΗΣ)
ΤΗΝ ΣΕΠΤΗΝ ΣΟΥ ΕΙΚΟΝΑ ΠΟΡΤΑΪΤΙΣΣΑ ΔΕΣΠΟΙΝΑ, Η ΔΙΑ ΘΑΛΑΣΣΗΣ ΕΠΕΣΤΗ, ΘΑΥΜΑΣΤΩΣ ΕΝ ΤΗ ΠΟΙΜΝΗ ΣΟΥ, ΤΙΜΩΜΕΝ ΩΣ ΑΓΙΑΣΜΑ ΣΕΠΤΟΝ , ΚΑΙ ΣΚΗΝΩΜΑ ΤΗΣ ΔΟΞΗΣ ΣΟΥ ΠΙΣΤΩΣ. ΕΞ ΑΥΤΗΣ ΓΑΡ ΑΝΑΒΛΥΖΕΙΣ ΤΑΣ ΔΩΡΕΑΣ, ΤΟΙΣ ΠΟΘΩ ΕΚΒΟΩΣΙ ΣΟΙ. ΔΟΞΑ ΤΟΙΣ ΘΑΥΜΑΣΙΟΙΣ ΣΟΥ ΑΓΝΗ, ΔΟΞΑ ΤΗ ΠΡΟΜΗΘΕΙΑ ΣΟΥ, ΔΟΞΑ ΤΗ ΠΡΟΣ ΗΜΑΣ ΣΟΥ ΠΛΟΥΣΙΑ ΧΡΗΣΤΟΤΗΤΙ.
Apolytikion of Panagia Portaitissa - First Tone (amateur translation)
Your sacred icon O Lady Portaitissa, which has come by the sea, is wondrous in your flock, we honor as a pure blessing, and faithfully as a repository of your glory, from it you pour forth gifts, to those who cry out fervently. Glory to your wonders O Pure One, Glory to your providence, Glory to your rich goodness towards us.
(The Paraklesis to Panagia Portaitissa in Greek is available here: http://agioreitika.blogspot.com/2007/06/blog-post_17.html)